Georg Friedrich Haas Ausschweifen (2025), world premiere, 50’
Commissioned by Ensemble Proton Bern in cooperation with Klangspuren Schwaz and Muziekgebouw aan 't IJ
Ensemble Proton Bern
Bettina Berger, flute; Martin Bliggenstorfer, oboe; Richard Elliot Haynes, clarinet; Elise Jacoberger, bassoon; Coco Schwarz, keys/electronics; Vera Schnider, harp; Maximilian Haft, violin; Jan-Filip Ťupa, cello
Georg Friedrich Haas has long been known for breaking boundaries — escaping tonality, moving beyond euphony, and pushing the limits of what an ensemble can achieve. His new, one-hour work Ausschweifen spans a symbolic triangle of three sonic worlds: floating overtones in search of transcendence, dense microtonal clusters — archaic, ecstatic, physical — and a late-Romantic tonality in quarter-tones, inspired by the nearly forgotten Richard Heinrich Stein (1882–1942). These three worlds seek no reconciliation. They collide, give way, return — a movement of sound felt more than heard. This is a loudness beyond decibels: not loudness in the classical sense, but that which asserts itself, that which insists. Ensemble Proton Bern knows these sonic worlds inside out.
Haus der Musik, Großer Saal
Universitätsstraße 1, 6020 Innsbruck
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